ARRIRAWĪnother interesting (and known) comparison shown by RED is the bit-rate and recording time of the r3d files compared to ARRIRAW. Check out the patterns below: RED LOG3G10 footage RED ST4 LUT REDCODE vs. Meanwhile, you can examine them on the webpage.
#Red code 3 download#
Those “RED LUT” pack will be available for download soon (we’ll keep you posted when they are available).
Watch the video below to explore more about REDCODE RAW:įrom flat to the final grade: New RED LUTs are on the wayĪccording to the webpage, an amount of 24 LUTs was developed in collaboration with colorists. Additionally, The REDCODE codec, combined with RED’s enhanced image processing pipeline (IPP2), allows the privilege of achieving outstanding imagery. RED claims that the REDCODE RAW allows four times the comparable resolution and more recording time than the competition. This codec allows you to balance your r3d data so that 8k RAW is smaller than 4k ProRes 4444 while maintaining the flexibility of a raw workflow. While this is a bit of an exaggerating statement, there are a lot of advantages of using R3d files over other uncompressed RAW. Watch it below:Īccording to RED, the REDCODE is the first cinematic RAW. The presentation demonstrates the benefits of the 8K workflow. For those of you who’d like to dive in further, explore this excellent educating deck presented by Micahel Cioni, former SVP of Innovation at Panavision. We have written an interesting article titled: “ A Thesis: RED’s 8K Reduces Data Rate and File Size due to Compression Resistance,” which summarises high-level explanation regarding the WAVELET methodology that RED utilizes. REDCODE: Compression without quality reduction REDCODE Patents Withstand Apple’s PetitionĪnyway, RED has just published a user-friendly explanation regarding its REDCODE. However, the USPTO concluded that RED’s REDCODE is eligible patent belonged to RED and denied Apple’s petition. Apple has filed a petition to the United States Patent and Trademark Office (USPTO) to review and challenge RED’s patent regarding REDCODE. For those of you who are not familiar with this case, here a quick synopsis. We can’t ignore the timing of this publication by RED, just after Apple’s petition was denied. RED LUTs The controversy around the REDCODE patent The video links to a user-friendly explanation on RED’s website showing the main benefits of using REDCODE compared to other codecs like ARRIRAW and ProRes. RED has released a video which demonstrates the efficiency of its codec, the REDCODE.
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